By The Book - Terry Murray's Grotesque Toronto

March 6, 1934. Hundreds gather outside City Hall to celebrate the Toronto Centenary. In the crowd, pickpocket Mona Kantor and her partner, Chesler, are ‘in the tip,’ finding easy pickings among the jostling masses. Eli Morenz, city man for the Daily Star, is covering the festivities and uncovering the pickpocket racket working the scene. A surreptitious photo and some keen research lead him to an underworld dive in Kensington Market where Toronto’s pickpockets converge – and to Mona.

If a city is its people, and its people are what they eat, then shouldn’t food play a larger role in our dialogue about how and where we live? The food of a metropolis is essential to its character. Native plants, proximity to farmland, the locations of supermarkets, immigration, the role chefs can and should play in society - how a city nourishes itself makes a statement about the kind of city it is.

City Hall proclaimed 2006 the Year of Creativity. ‘Live With Culture’ banners flap over the city. And across the city, donors are ponying up millions for the ROM and the AGO. Culture’s never had it so good. Right?

With Toronto, Ontario as a featured example, Life in a Residential City provides insight for children into living in the housing zone of a big modern city. With a focus on where people live as opposed to where they work, this book explains the many different areas of a city that make living possible, including the people, the traffic, the roads and the buildings.

The Wartime Letters of Leslie and Cecil Frost, 1915–1919 brings to light the correspondence between two officer brothers and their family at home from 1915 to 1919. Despite wartime censorship, Leslie and Cecil wrote frank and forthright letters that show how the young men viewed the war, as well as what they observed both during training and from the trenches in some of the war’s bloodiest battles.

Sportswriters and broadcasters in this country agree that Bobbie Rosenfeld may be Canada's greatest female athlete of the twentieth century.

Through many helpful photos and clear and understandable text, Canadian government is examined to educate young minds on the people, processes and policies that run this country. Each institution of government is briefly described in two pages, teaching the introductory lessons on Candian government for beginners. There are study questions throughout the book that aid in the understanding and comprehension of the reader with the text.

In Becoming Modern in Toronto, Keith Walden shows how the Toronto Industrial Exhibition, from its founding in 1879 to 1903 (when it was renamed the Canadian National Exhibition), influenced the shaping and ordering of the emerging urban culture. Unlike other studies of its kind, it fully integrates experiences on and off the fairground by viewing the fair as a microcosm of developing structures in the city and surrounding rural areas.

The University of Toronto is Canada’s leading university and one of Canada’s most important cultural and scientific institutions. In this history of the University from its origin as King’s College in 1827 to the present, Martin Friedland brings personalities, events, and changing visions and ideas into a remarkable synthesis.

Since the election of Mayor David Miller in November 2003, Toronto has experienced a wave of civic pride and enthusiasm not felt in decades. At long last, Torontonians see their city as a place of possibility and potential. Visions of a truly workable, liveable and world-class city are once again dancing in citizens’ heads.

Mike Filey’s column “The Way We Were” first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973. Now, almost four decades later, Filey’s column has enjoyed an uninterrupted stretch as one of the newspaper’s most widely read features. In 1992 a number of his columns were reprinted in Toronto Sketches: “The Way We Were.” Since then another nine volumes have been published, each of which has attained great success.

In Margaret Avison’s new poems, little pleasures are bound up with larger ones. Her slightest subjects – beloved Toronto parks with their population of oaks, firs, squirrels, dogs, kids, even ants, and the minutest sighs of her contemporary urban soundscape – all have their being within an immense composition that calls and hauls us to a largeness, a category-breaking “always unthinkable” beyond.

Theatre and Performance in Toronto gathers together for the first time a set of provocative critical essays that explore the development of Toronto as an important national and global site of cultural production. By highlighting a variety of strategies for reading theatre in Toronto, these essays ask timely questions about what it means to historicize performance in an urban context and how performance can serve as a usefu

This is the story of a city and how it grew from an unknown and sparsely populated place to the sprawling, colorful metropolis that more than three million people call home.

Twenty-five fascinating images that offer a 360º panorama of the Toronto's downtown in 1856-57 mark the beginning of the use of photographs to document Toronto's growth, its achievements, its great civic works, and its citizenry. Since 1856, the City of Toronto has been commissioning photographs to document and to promote it.

This book, published to celebrate the 175th anniversary of the city's incorporation, brings together more than 100 of these images, selected by city archivists from their collection of hundreds of thousands.

Unbuilt Toronto explores never-realized building projects in and around Toronto, from the citys founding to the twenty-first century. Delving into unfulfilled and largely forgotten visions for grand public buildings, landmark skyscrapers, highways, subways, and arts and recreation venues, it outlines such ambitious schemes as St. Alban's Cathedral, the Queen subway line and early city plans that would have resulted in a Paris-by-the-Lake.

Faces on Places takes us up into the the sky to the fascinating world of creatures and icons that watch over Toronto and its inhabitants. Terry Murray invites readers to delve into the little-know and often overlooked grotesque world of gargoyles and cherubs and caricuatures that adorn some of Toronto's most prominent buildings.

Understanding Crime in Canada: An Introduction to Criminology provides an overview of the foundations of criminology, and is intended for an introductory-level university and college audience. In addition to surveying the key theoretical approaches, it also examines important aspects in the study of criminology, including the role of the media; key points of criminal law; ways of measuring crime; and a thorough survey of the various types of crime. Case studies and boxes are used throughout to illustrate the theoretical aspects of the text in a real-world context.

For a quarter century, Glenn Cochrane, of CFTO's six o'clock news, left viewers with a smile by scouring the city for the genuine eccentrics and landmark fests that put Hogtown on the map.

What is the ‘Toronto look’? Glass skyscrapers rise beside Victorian homes, and Brutalist apartment buildings often mark the edge of leafy ravines, creating a city of contrasts whose architectural look can only be defined by telling the story of how it came together and how it works, today, as an imperfect machine.

The Second World War had been under way for a year when Marie and John Williamson welcomed two English brothers to join them and their two children in their small house in north Toronto for the duration of the conflict. Marie wrote over 150 letters to the boys’ mother, Margaret Sharp, imagining that she could make Margaret feel she was still with her children. She shepherded the boys through education decisions and illnesses, eased them into a strange new life, and rejoiced when they embraced unfamiliar winter sports.

Approaching a scholar and critic as legendary as Northrop Frye is a daunting task — but not for Mel Montrose. Armed with a prestigious academic award and a nothing-to-lose attitude, she convinces Frye to supervise her ambitious thesis exploring E.J. Pratt’s epic poem about Jesuit missionary Jean de Brébeuf. To embark on her study, Mel takes a job at the newly reconstructed historical site at Sainte-Marie among the Hurons, where de Brébeuf and seven other missionaries met their tragic ends.

Ontario Boys explores the preoccupation with boyhood in Ontario during the immediate postwar period, 1945–1960. It argues that a traditional version of boyhood was being rejuvenated in response to a population fraught with uncertainty, and suffering from insecurity, instability, and gender anxiety brought on by depression-era and wartime disruptions in marital, familial, and labour relations, as well as mass migration, rapid postwar economic changes, the emergence of the Cold War, and the looming threat of atomic annihilation.

Making the Scene is a history of 1960s Yorkville, Toronto's countercultural mecca. It narrates the hip Village's development from its early coffee house days, when folksingers such as Neil Young and Joni Mitchell flocked to the scene, to its tumultuous, drug-fuelled final months. A flashpoint for hip youth, politicians, parents, and journalists alike, Yorkville was also a battleground over identity, territory, and power.